在《琐(🤝)事(📍)烦心》(Wolfsbergen,2007年论(🧦)坛(🌖)单元),《布(bù(😅) )朗(🛹)运动》(Brownian Movement,2011年论(🍊)坛(🐓)单元)和《一切(😖)很安静(jìng )》(Boven is Het Stil,2013年(🔤)全景单(dān )元)(🔑)之后,荷兰(lán )导(🌒)演(yǎn )娜诺克•(😫)利奥波(bō )德将(🅿)会带着新片来(🛳)到(dào )2018年的柏林电(diàn )影节在 Generation 14plus中角逐。以她(tā )特有的(🔶)沉静(jìng )的激(jī(🧚) )进主义风格(😄)(gé(☕) ),她的新片跟(🛃)随(⛑)(suí )着15岁(suì )Cobain的脚(🙍)步,在城市(shì )里(🚟)徘徊,寻(xún )找他(🍨)自(💔)毁(huǐ )的母亲(👴)(qī(🕘)n )。在(zài )途中,他(🏡)遇(🤱)到了(le )她的老(🛁)朋(🐂)友们,社工(gō(🍄)ng )们(🎦),以及一(yī )家美(📁)沙酮诊所。在他(🌰)(tā )的电影处女(🐙)(nǚ )作中(zhōng ),Bas Keizer温柔(🧗)又有(yǒu )力地表(➗)现出了一(yī )个(🦀)必(bì )须要快速(💤)长大的(de )男孩的样子。 年幼的(de )童凡得知自(zì )己并非(🗑)父母亲生(shēng ),他(🔰)(tā )离家出走(🥒)一(📴)(yī )心要(yào )找(⚡)自(🏁)己的亲(qīn )生父(✋)母,养父母(mǔ )多(🎪)年(nián )来一直历(🎹)尽(🛵)苦难(nán )寻找(💮)童(❄)凡,看到他在(👧)(zà(🥊)i )找亲生(shēng )父(🅿)母(🧔)(mǔ )的启事后(😦)顺(🐐)着地(dì )址找到(👧)他,花钱(qián )雇一(🗻)(yī )男子冒充童(😀)(tóng )凡的亲生父(🐄)亲,他们(men )把终生(⭕)积蓄(xù )都通(tō(😁)ng )过该男子资(zī(🏎) )助给了童凡,童(tóng )凡受(shòu )伤他们忍不住来(lái )探望(🌃)却遭童凡唾弃(👢),当童凡得知(🎒)(zhī(⛱) )一切真相后(🏓)追(⛓)悔(huǐ )莫及(jí ),他(🏺)回到养(yǎng )父母(🍌)(mǔ )身边,养母(mǔ(♿) )却(⛲)因他去世,从(💌)(có(🦀)ng )病危(wēi )的养(🔧)父(👥)得知,童(tóng )凡(💂)的(🍡)亲生父(fù )母(🔕)在(👰)他一(yī )岁时因(🐔)(yīn )救童(tóng )凡去(🕑)世,临终前(qián )把(🥃)童凡托福给了(❎)(le )养父(fù )母。 ★ 港(😗)版(bǎn )《丹麦女孩(💡)》 勇(yǒng )敢用(yòng )爱(📁)为自己发(fā )声! 影片故事由(yóu )一次旅途展开,七个(👽)(gè )互不相识(✝)的(❓)人,冥冥之中(🔤)上(🕖)了同一辆(lià(🍰)ng )车(🐍)。在车辆(liàng )进入(🤧)黑暗的隧道(dà(💆)o )后,却永远开不(🕯)(bú(🌰) )到尽(jìn )头。经(🙋)过(🏼)多(duō )种尝试(💸),他(🛥)们依(yī )然无(🍙)(wú(🕹) )法逃离。莫名(⛩)出(🧐)(chū )现的尸体,死(🥄)而复生(shēng )的故(🙈)人(rén )以及(jí )突(🚰)如其来的凶杀(🖍)(shā )接踵而至。和(📒)这(zhè )没有(yǒu )尽(🐪)头的隧道(dào )一(🌁)样恐怖的,是(shì )每个(gè )人在黑暗中(zhōng )逐渐(jiàn )暴露(🌐)的人性(xìng )…(🧤)…(🍺) MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film. 中东公主在(👷)(zà(🐲)i )T国度(dù )假时(🎺),被(📠)恐怖分(fèn )子黑(🐿)星劫持。雇佣兵(🥪)(bīng )吴优奉命前(👁)(qiá(🏺)n )往调查营救(🍩)。吴(🤙)(wú )优和(hé )T国(🐅)犯(🔱)罪调查(chá )科(⛸)探(Ⓜ)(tàn )员林娜默契(😘)(qì )配合,与恐怖(🆘)分(fèn )子斗(dòu )智(🌒)斗勇,最终顺(shù(💱)n )利解救出公主(🤬),成功(gōng )完成任(🧒)务。 有着信念的(🌳)大学(xué )教授张泰俊(朴海(hǎi )日饰(shì ))为了改变世(shì )道梦想进入政(💕)界(jiè ),张(zhāng )泰(💠)俊(🕤)的妻子美术(🌿)(shù(🤕) )馆副馆长吴(wú(🚪) )秀妍(秀爱饰)想(⚫)要(yào )成为(wéi )馆(🐚)长。各方势力(lì(🐜) )在(🕜)密切关注着(🏙)利(😾)用“市民银行(🏿)”这(✌)一idea挑战国会(🐌)议(♟)(yì )员的(de )张泰俊(🚝)。今(jīn )年获(huò )得(🌧)作家奖的(de )作家(📍)兼大企业总(zǒ(🎴)ng )裁韩(hán )龙锡(尹(👤)济文饰),和他的(🥒)妻子美术馆馆(🏅)(guǎn )长李画兰(罗(luó )美兰饰)将关注着(zhe )张泰俊和吴秀妍(yán )夫妇(fù )。讲(🧓)述比起(qǐ )现(🍲)在(⌛),想要进入(rù(👔) )更(📫)好(hǎo )的群体、(🌋)进入上(shàng )流社(🥀)会的人(rén )们的(💿)欲望冲撞。 Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@